“Circles” serves as an homage to the life and career of Mac Miller

The posthumous album is great example on how to handle the task of honoring an artist after they pass

Stock photo of a microphone from the free stock photo website, Unsplash
Photo from Unsplash | Courtesy

Ever since Mac Miller tragically lost his life in September 2018, following the release of his critically acclaimed album “Swimming,” his death has been handled by his family with the utmost class, respect and sincerity.

Recently Miller’s posthumous album, “Circles” was released.  

Posthumous albums can go one of three ways: They can be a mixture of some unreleased verses and songs meant to be on a project, they can be a true legitimate celebration of the life of the artist or they can seem like a cash-grab off the back of a deceased artist.

 “Circles” is a shining example of how to handle posthumous albums in general.

“Circles,” according to Miller’s family posting on the late artist’s Instagram, was a companion album to “Swimming.” The album was meant to serve as the second part to a “Swimming in Circles” music concept.

Jon Brion was present for the early demos and recordings of the songs first recorded on “Circles.” Brion was self-appointed the task with blessings from Miller’s family of finishing and mastering the songs on “Circles.” Brion did as perfect of a job as one could given this task.

Quality of music is subjective. There is no point in rating this album – especially given the situation surrounding it. This album is a perfect send off to Miller with the utmost respect in mind.

Every single song is a picture that not only paints the depressing yet beautiful final days of Miller, but they also serve as Miller’s conveyance of love for his craft. Without the credits on the album, it is impossible to tell what’s Miller’s production and what’s Brion’s.

It is impossible to tell what verses and lyrics on the album were complete recordings Miller made before his death and what was spliced together after. This is how all posthumous albums should be treated and approached.

When someone dies, artist or not, their life and accomplishments should be what is celebrated, remembered and told. Unfortunately, when an artist dies, especially in the music business, the deceased person in question is often seen as a blank check for labels and managers.

“Circles” is not only a final sendoff to Miller; it also serves as a final thank you from Miller to his fans.

On the behalf of everyone influenced by Mac Miller – in life or death – thank you. Thank you for all the listeners you have helped with your art. Rest in Paradise.

Teren Kowatsch can be reached at [email protected].

About the Author

Teren Kowatsch Senior at the University of Idaho, majoring in Journalism with a Music Emphasis. Writer for the LIFE section and KUOI station manager.

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