Meredith Spelbring — “Three Billboards Outside Ebbing, Missouri”
This film was unique and exceptional on numerous levels. All of the characters had a unique depth and complexity that made them intriguing to follow. The movie did not follow traditional story plots in certain instances, which only makes it stand out as a winner even more.
Grayson Hughbanks — “The Shape of Water”
“The Shape of Water” is very deserving of an Oscar. Most Oscar films fall short of any actual resolution, but this film pleased audiences with a nice ending.
Savannah Cardon — “Dunkirk”
It’s a close call between “The Post” and “Dunkirk,” but “Dunkirk” will pull through with a win for Best Picture this year. With stunning visuals and a deeply historical, well-executed plotline, “Dunkirk” is surely the best of the best.
Hailey Stewart — “The Post”
What happens when you put Meryl Streep, Tom Hanks and Steven Spielberg on the same film lot together? Magic. No matter what the Academy chooses, “The Post” is the winner in this very non-biased journalist’s mind.
Brandon Hill — “Dunkirk”
Christopher Nolan is the man and deserves an award for best director as well. “Get Out” is the only film that comes close, but “Dunkirk” kept my heart beating all the way through.
Max Rothenberg — “Get Out”
“Get Out” is a rare example of a film that tackles unique and challenging topics while still managing to deliver on every front. Rarely has a film kept me this engaged from start to finish, and the underlying social commentary adds icing to the already polished cake.